Tour Code: FIT/1613

Odisha Golden Tringle

5 Nights / 6 Days
Private Van Tour
Winter Special
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Cities : Bhubaneswar (1N),Puri (3N),Bhubaneswar (1N)

Sightseeing

Puri, India
  • Dhauli Shanti Stupa (Dhaulagiri)
  • Sun temple & interpretation centre at Konark
  • Chandrabhaga beach
  • Pipili appliqué work
  • Sri Jagannath Puri Temple
  • Koili Baikuntha
  • Chilika lake
Bhubaneswar, India
  • Lingaraj Temple
  • Mukteswara Temple
  • Rajarani Temple
  • Khandagiri and Udaygiri Caves
  • Museum of Tribal Arts and Artefacts
  • Lalitgiri-Ratnagiri-Udayagiri Buddhist circuit
  • Explore the Stupas, Chaityas, Viharas
  • Nandankanan Zoological Park

Meals

  • 5 Breakfast
  • 5 Dinner


The Following Points Are To Be Noted For Child Rate :-
  • Children above 10+ years will be charged 100% as per Adult Rate (EP)
  • Children of 5+ to 10 sharing parent’s room will be charged as per CWB or CWNB
  • Children below 5 years Complimentary
(Hotels are very strict with the child policy. Please carry the age proof so that it can be produced when asked for)

Notes:

  • 08 to 13 October 2024 (Dussehra)
  • 30 Oct to 03 November 2024 (Diwali)
  • 21 Dec to 05 January 2025 (X-mass )
 

Day wise travel itinerary

  • Day 1 :Arrival Bhubaneswar Places to see
    Lingaraj, Mukteswar, Rajarani & 64 Yogini temple. Evening free for independent activities. O/N- Bhubaneswar. Note: 1.Lingaraj temple remain open from 05.00 to 21.00hrs and closed for 01hr between 11.00 to 13.00hrs. Devotee can go in to the garbhagriha (sanctum sanctorum) between 06.00 to 08.00hrs & 13.00 to 16.00hrs. 2. Non-Hindu are not allowed to Lingaraj temple. They can see from the specific platform.
    • Dinner
  • Day 2 :Bhubaneswar-Puri (70 kms/1.5 hrs) Places to see
    Dhauli Buddhist shanti stupa, Pipili appliqué market, Sakhigopal temple, Raghurajpur/Nayakpatna artisan village, Jagannath temple, golden beach or beach market. O/N- Puri. Note: 1. Jagannath temple remain open from 05.00 to 22.00hrs and closed for 01hr between 12.00 to 14.00hrs. 2. Non-Hindu are not allowed inside the Jagannath temple & Gundicha temple 3. Mobile phones, cameras, leather items, paan, gutkha, tobacco, food items, bags are not allowed inside the Jagannath & Gundicha temple premises. 4. Be careful to monkeys at Jagannath temple. Keep your wallet & bags carefully. 
    • Breakfast
    • Dinner
  • Day 3 :Excursion trip to Chilika (55 kms/ 1.25 hrs one way) Places to see
    Satapada (One end of Chilika Lagoon), Niladri beach & Blue flag beach. O/N-Puri. 
    • Breakfast
    • Dinner
  • Day 4 :Excursion trip to Konark (45 kms/40 minuits one way) Places to see
    Gundicha temple from outside, Ramchandi temple, Chandrabhaga beach, Sun temple (the UNESCO World heritage monument) & interpretation center at Konark, light & sound show at Konark. O/N-Puri Note: 1. Konark Sun temple remain open from 08.00 to 18.00hrs. Light & sound show time: 18.30 to 19.15hrs (Winter) & 19.00 to 19.40hrs(summer). 2. Light & sound show operates subject to weather condition and minimum pax (25-pax). It remain close on every Monday. 
    • Breakfast
    • Dinner
  • Day 5 :Puri-Mangalajodi-Bhubaneswar (200km/4hrs) Places to see
    Mangalajodi-the bird’s Paradise of Asia (another end of chilika lagoon), Khandagiri & Udaigiri Jain Caves and Jain temple, Tribal Museum/ Kala Bhoomi-a craft museum (both close on Monday and Govt. holidays), Ekamra haat-the traditional market or local market for shopping. O/N-Bhubaneswar. Note: 1. Be aware of Monkeys at Khandagiri & Udaigiri. Keep your wallet & bag carefully. Udaigiri remain open from 08.00hrs to 17.00hrs. 
    • Breakfast
    • Dinner
  • Day 6 :Bhubaneswar departure Places to see
    Nandankanan Zoological Park-popular for white tigers (close on Monday). In time transfer to railway station/airport for onwards journey. Tour End. Note: 1. Nandankanan Zoological Park remain open from 08.00hrs to 17.00hrs. Being a sanctuary Zoo it takes minimum 03-04hrs to cover
    • Breakfast
Expand Full Itinerary 🡫

Sightseeing

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Dhauli Shanti Stupa (Dhaulagiri)

Shanti Stupa of Dhauligiri is also known as the Peace Pagda. Dhauligiri lies at a distance of 7 Km from Bhubaneswar. As one travels from Bhubaneswar to Puri, one finds Shanti Stupa. The word 'shanti' in the name itself suggests peace. Since King Ashoka adopted the path of peace and tranquility and resorted to Buddhism, he laid the foundation of Dhauligiri Shanti Stupa at a place which is known for the end of Kalinga War. Here, one finds the edict of Lord Budddha which is visited by numerous Buddhist devotees.

The construction of Shanti Stupa of Dhauligiri was assisted by Fuji Guruji and therefore, the place became the place of devotion and worship for various people belonging to different generations. One can also spot a number of stupas, chaityas as well as pillars whose foundation was laid by King Ashoka. There also exist a number of edicts that display King Ashoka's intention to promote joy, peace and contentment all through the world. And over the edicts, you come across a rock cut elephant that is considered to be the earliest Buddhist sculpture in Orissa.

The overall structure of the stupa is in the shape of a dome. One can spot the Buddha footprints as well as the Bodhi tree over the stone panels. Over the panels, one also spots the image of Ashoka who keeps his sword of war in front of Lord Buddha suggesting that he had given up the idea of war completely. In the vicinity of this stupa, there lays a monastery named as the Saddharma Vihar Monastery, which is much visited by the Buddhist devotees. And at a short distance from the Shanti Stupa, you find the temple of Dhavaleshwar that was renovated in the year 1972 and is much frequented by Hindu as well as Buddhist devotees. Therefore, do make it a point to visit Dhauligiri and explore various Buddhist attractions that add to the sacred significance of Dhauligiri in Orissa.
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Sun temple & interpretation centre at Konark

This is a brand new interpretation centre set up by the Indian Oil Foundation for an introduction to the world heritage monument - the Konark Sun Temple. All tourists should keep aside 30-45 minutes for this place before going into the Sun Temple for enhancing their experience.

This centre tells the story of the construction and the fall of the sun temple with beautiful replicas and a superb audio visual introduction (better than any guide). The 15 minute animation movie in these superb auditorium will be particularly interesting for kids. For adults there are galleries depicting the nuances of the temple architecture in Odisha and India along with several miniature replicas. All halls are air-conditionied and the centre includes a restaurant and clean toilets.

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Chandrabhaga beach

Chandrabhaga Beach is situated three km east of the Sun temple of Konark, in the Puri district in the state of Odisha, India. It is 30 km from the city of Puri. Formerly Chandrabhaga was considered a place of natural cure for lepers.


Chandrabhaga Beach is situated three km east of the Sun temple of Konark, in the Puri district in the state of Odisha, India. It is 30 km from the city of Puri. Formerly Chandrabhaga was considered a place of natural cure for lepers


Walking down the empty beach, with the setting sun on the horizon is just magical. That’s what Chandrabhaga offers to its visitors. Located at the Konark, the abode of the magnificent Sun Temple, the beach is known for its stunning sunrise and sunset.As per legend Sambha son of Lord Krishna prayed here to the Sun God and through the latter’s blessings he got rid of leprosy. Thus the beach has an important spiritual significance in Odisha.


It’s also the venue of the famous “International sand Art Festival” where renowned sand artists from all over the globe converge to showcase their craft. The five day long festival attracts large number of tourists and locals alike.


Things To Do : -

  • Often the best thing to do when you are in a setting as beautiful as this, is to do nothing at all.
  • Boating in the calm waters of the sea is an enthralling experience. Enlist the services of the local boats stationed at the beach. But take necessary precautions.
  • For those who seek adventure, there are camps along the marine drive from Puri to Konark which offers options in water sports.
  • Always enlist the help of a Nulia (Lifeguard) before venturing into the sea.
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Pipili appliqué work

Pipili appliqué work owes its origin to the culture of Lord Jagannath during the 12th century.Earlier appliqué umbrellas and canopies were prepared by the Gajapatis for the annual Ratha Jatra of Jagannath.

The village of Pipili, Puri district, Odisha, India, is well known for its appliqué work, traditionally known as Chandua in India. "Appliqué" comes from the French word appliquer, meaning "to put on"

A few kilometers from Bhubaneswar, the capital of Orissa. One of the most popular craft of Orissa is the Pipli applique technique work that comes from the town of Pipli. Pipli is small town, situated about 40kilometers from Puri, Orissa. In the old days, Pipli craftsmen used to make canopies, banners, umbrellas and trasa (fans) for festivals held in Puri's famous temple. But as the craft's popularity spread far and wide through the pilgrims of Puri, the craftsmen started making other decorative and utility items also. The use of all these products are associated with the religious ceremonies of Lord Jagannath. So it can be concluded that this art form ascribes its origin to the Jagannath cult. Patronized by kings and nobility of Orissa, applique work at one time had reached the artistic heights of excellence.

The kings of Puri engaged craftsmen in the service of Lord Jagannath and set up village Pipli for them to live in. They were especially skilled in designing the canvas cloth that is used to cover the chariots of Lord Jaganath, Lord Balabhadra and Devi Subhadra. The income of this state is mainly depended on the sale of its handicrafts.

Applique is a French technique that basically cuts up various coloured fabrics which are then sewn to the surface of another foundation fabric. But essentially it has now developed into a needlework technique in which smaller pieces of fabric materials like small mirrors and other forms of embroidery are sewn onto a bigger piece of the cloth to create.

Appliqué is art, a process of cutting coloured cloth into shapes of animals, birds, flowers leaves gods, goddesses and other decorative motifs and stitching them on a piece of cloth. On one hand, the village showcases the intense involvement of the men, and especially the women, in the applique production. Machine stitching has also caught up with the artisans of this town which is a proud achievement for these workers. But the people of this town are mostly proud of their handcrafted achievements because that is the purest way of keeping their art heritage alive.

The traditional appliqué items are mainly used during processions of the deities in their various ritual outings. Items like umbrella, Tarrasa – a heart-shaped wooden piece covered by appliqué cloth and supported by a long wooden pole and Chandua – an umbrella shaped canopy are usually seen during the processions. Another popular item is a sort of frill which is used as a border to canopies and also independently as a decorative piece.

In modern pipli applique work motifs used consist of stylized representations of flora and fauna as well as a few mythical figures. Of the more common of these motifs are the elephant, parrot, peacock, ducks, creepers, trees, flowers like lotus, jasmine, half-moon, the Sun and Rahu (a mythical demon who devours the sun).

Flat design are first cut from cloth and then superposed on the base cloth in a predetermined layout and sequence. The edges of the motifs are turned in and skillfully stitched onto the base cloth or stitched by embroidery or without turning as necessary. Craftsmen use straight stitch, blind stitch, satin stitch or buttonhole stitch for attaching the pieces of cloth.

Artisan sulochana who is 75 years old is involved in Pipli applique work from her childhood and she is currently working under Pipli applique society. There are 55 people who are working under the Pipli applique society. Embroidery work is mostly done by women and cutting works by men. These applique work are used in the flags of Jagannath temple, and during the rathjathra festival. Sometimes orders will be given by the companies to make a pipli applique work with their logo.

She works on both hand and machine. They earn more profit in machine work. Whereas the hand embroidery work are more time consuming and less profit. All the materials required for the embroidery work such as needle, threads, mirrors etc will be provided to craftsman by the organization by whom they get regular embroidery works. These pipli applique work is done on the different types of fabrics such as cotton, velvet, organdy and satin.
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Sri Jagannath Puri Temple

Sri Jagannath Temple is one of the most holy temples of Hindu religion devoted to Lord Jagannath. May to July witness the monsoon season of Puri. Darshan timings will be 5 AM to 12 AM. Jagannath Puri Temple is known for celebrating religious festivals.

The village of Pipili, Puri district, Odisha, India, is well known for its appliqué work, traditionally known as Chandua in India. "Appliqué" comes from the French word appliquer, meaning "to put on"

A few kilometers from Bhubaneswar, the capital of Orissa. One of the most popular craft of Orissa is the Pipli applique technique work that comes from the town of Pipli. Pipli is small town, situated about 40kilometers from Puri, Orissa. In the old days, Pipli craftsmen used to make canopies, banners, umbrellas and trasa (fans) for festivals held in Puri's famous temple. But as the craft's popularity spread far and wide through the pilgrims of Puri, the craftsmen started making other decorative and utility items also. The use of all these products are associated with the religious ceremonies of Lord Jagannath. So it can be concluded that this art form ascribes its origin to the Jagannath cult. Patronized by kings and nobility of Orissa, applique work at one time had reached the artistic heights of excellence.

The kings of Puri engaged craftsmen in the service of Lord Jagannath and set up village Pipli for them to live in. They were especially skilled in designing the canvas cloth that is used to cover the chariots of Lord Jaganath, Lord Balabhadra and Devi Subhadra. The income of this state is mainly depended on the sale of its handicrafts.

Applique is a French technique that basically cuts up various coloured fabrics which are then sewn to the surface of another foundation fabric. But essentially it has now developed into a needlework technique in which smaller pieces of fabric materials like small mirrors and other forms of embroidery are sewn onto a bigger piece of the cloth to create.

Appliqué is art, a process of cutting coloured cloth into shapes of animals, birds, flowers leaves gods, goddesses and other decorative motifs and stitching them on a piece of cloth. On one hand, the village showcases the intense involvement of the men, and especially the women, in the applique production. Machine stitching has also caught up with the artisans of this town which is a proud achievement for these workers. But the people of this town are mostly proud of their handcrafted achievements because that is the purest way of keeping their art heritage alive.

The traditional appliqué items are mainly used during processions of the deities in their various ritual outings. Items like umbrella, Tarrasa – a heart-shaped wooden piece covered by appliqué cloth and supported by a long wooden pole and Chandua – an umbrella shaped canopy are usually seen during the processions. Another popular item is a sort of frill which is used as a border to canopies and also independently as a decorative piece.

In modern pipli applique work motifs used consist of stylized representations of flora and fauna as well as a few mythical figures. Of the more common of these motifs are the elephant, parrot, peacock, ducks, creepers, trees, flowers like lotus, jasmine, half-moon, the Sun and Rahu (a mythical demon who devours the sun).

Flat design are first cut from cloth and then superposed on the base cloth in a predetermined layout and sequence. The edges of the motifs are turned in and skillfully stitched onto the base cloth or stitched by embroidery or without turning as necessary. Craftsmen use straight stitch, blind stitch, satin stitch or buttonhole stitch for attaching the pieces of cloth.

Artisan sulochana who is 75 years old is involved in Pipli applique work from her childhood and she is currently working under Pipli applique society. There are 55 people who are working under the Pipli applique society. Embroidery work is mostly done by women and cutting works by men. These applique work are used in the flags of Jagannath temple, and during the rathjathra festival. Sometimes orders will be given by the companies to make a pipli applique work with their logo.

She works on both hand and machine. They earn more profit in machine work. Whereas the hand embroidery work are more time consuming and less profit. All the materials required for the embroidery work such as needle, threads, mirrors etc will be provided to craftsman by the organization by whom they get regular embroidery works. These pipli applique work is done on the different types of fabrics such as cotton, velvet, organdy and satin.
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Koili_Baikuntha.jpg

Koili Baikuntha

Nabakalebara is a festival observed in the Shree Jagannath Temple at Puri at a predefined time according to Hindu Calender. Naba means new and Kalebara is body. Lord Shree Jagannath adorns a new body during Nabakalebara. It is the re-embodiment of Lord Jagannath, Lord Balabhadra, Devi Subhadra and Sudarshan when they relinquish their old bodies and assume a new one. However, the Brahma padartha (soul-substance) remains the same. The soul or the Brahma is transferred from the old idols to their new bodies in a highly technical and conspicious manner at the dead of night very secretly.

The year of Nabakalebara is when the full moon occurs twice during the month of Ashadha. Every three years in the Hindu calendar, a lunar month is excluded from the calculation to maintain a balance between lunar and solar years. This period is called Malamasa. A year with an extra month (adhimasa) is considered auspicious for the ceremony, which typically occurs every twelve to nineteen years. The three deities undergo the process of Nabakalebara in the year in which the adhimasa falls The deities are carved from a special type of neem wood, known as daru bramha. Preparations for the ceremony begin in the month of Chaitra. The most recent ceremony was on 29.05.2015, 19 years after the 1996 ceremony.

"The Nabakalebara niti is observed in a gap of 12 to 19 years. Most of the Nabakalebars are performed after a gap of almost 19 years as in 1912, 1931, 1950, 1969, 1977 and 1996. The Brahmapadartha (soul-substance) remains the same. The soul or the Brahma is transferred from the old idols to their new bodies & this is going on from long long back.

The making of new idols are done in a sacred manner obeying all the formalities in the Baikunthadam, on the other hand the bodies of old idols are buried in the burial ground ie, at Koili, observing all the formalities.

Never miss to visit Koili baikuntha , when you are in Lord Jagannath Temple, Puri .

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Chilika lake

Attractions such as the Bird Island, Breakfast Island and Honeymoon Island are also frequented by tourists who visit the Chilika Lake. best time to visit the Chilika Lake is the winter months of November to February. Boating is a popular activity in Chilika Lake. Water Scooters and Pedal Boats are available at this place. 

Chilika Lake is the largest brackish water lagoon in Asia and second largest coastal lagoon in the world, spread over the Puri, Khordha and Ganjam districts of Odisha state on the east coast of India, at the mouth of the Daya River, flowing into the Bay of Bengal, covering an area of over 1,100 square kilometres.

Experience the magnificence of Konark and the tranquil beauty of Chilika Lake on our private day tour from Bhubaneswar. Begin your journey with a visit to the UNESCO World Heritage Site, the Konark Sun Temple, where you'll marvel at its intricate stone carvings and learn about its rich history. Explore the Konark Museum to delve deeper into the region's cultural heritage. After savoring a traditional Odia lunch, proceed to Chilika Lake, Asia's largest brackish water lake. Embark on a boat ride to explore its islands and witness the graceful Irrawaddy dolphins. Visit the Nalabana Bird Sanctuary to spot migratory birds before ending the day with a mesmerizing sunset view over the serene waters of Chilika Lake. Immerse yourself in the wonders of Odisha's cultural and natural treasures, creating unforgettable memories to cherish.
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